Documentaries About Moviemaking

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Documentaries about moviemaking are a fascinating subject for anyone interested in filmmaking. A few films to look out for include Making The Shining, Dangerous Days, Full Tilt Boogie, and Side By Side. Documentaries about moviemaking are not always about the making of a film, though. Some of them show the creative process from start to finish. These are also a good way to understand why certain films are so popular, such as Ang Lee’s ‘Teen Spirit’.

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Dangerous Days

One of the most controversial movies of all time, Blade Runner, was one of the most infamous and difficult to make. Dangerous Days: Making Blade Runner, a three-and-a-half hour documentary about the movie’s production, reveals the incredible amount of tension and pain that went into the production. Featuring never-before-seen footage, the film shows how a movie can go from bad script to finished movie with cast and crew members at each others’ throats.

While the subject matter can be dark, Quested’s films often capture the imagination. In the case of Citizenfour, a documentary about the NSA spy Edward Snowden, he was interviewed for his project, but this wasn’t an official government project. The filmmaker had never met Snowden prior to the project, so he had to choose his words carefully. It’s amazing how much the world can change, and it’s a shame that these films have such a limited impact.

Making the Shining

In a new documentary, Vivian Kubrick shares the process of filming Stanley Kubrick’s classic horror film THE SHINING. The film features interviews with Jack Nicholson, Shelley Duvall, and director Kubrick, as well as footage from the set. Kubrick’s daughter, Vivian, also contributes to the documentary. Watch it here:

It took Kubrick a long time to get his film treatment right. He was a perfectionist, a neurotic, and a devoted auteur. But his desire to please his audience made him a slog to make The Shining. Ultimately, his process was a success, resulting in a harrowing film that remains one of the greatest horror films ever made. But the long hours and difficult locations made shooting this film an ordeal for both the cast and crew.

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The film was critically acclaimed and ranked 75th in the Sight & Sound directors’ poll. The Library of Congress selected it to the National Film Registry, and the sequel to the film was released in November 2019.

Full Tilt Boogie

The Full Tilt Boogie documentary about how movies are made gives viewers a first-hand account of the working conditions on a film set. It doesn’t feature Salma Hayek, but it does give viewers a glimpse into how an aging, novice director works his magic. While watching Full Tilt Boogie, you’ll be reminded that the movie industry is not a perfect place for a movie star.

One of the most fascinating films I’ve ever seen is «Full Tilt Boogie.» Director Sarah Kelly chronicles the making process of Robert Rodriguez’s 1996 film From Dusk Till Dawn. It features George Clooney and Quentin Tarantino. It’s also a very fun watch. If you love movies, you’ll love Full Tilt Boogie.

Another excellent documentary on moviemaking is «Hearts of Darkness,» a fascinating look into the world of Francis Ford Coppola, director of Apocalypse Now. With juicy gossip, it gives a unique insight into the filmmaking process. The film also incorporates home movies shot by the director’s wife. As a bonus, you can watch it on demand on the cable channel after it’s released.

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Side By Side

If you’ve ever wanted to know more about how movies are made, Side By SIDE might be the right film for you. It asks tough questions about filmmaking and its effects on the future of cinema and technology. This documentary explores whether digital filmmaking can ever match the quality of film, or will it offer something different altogether. The film also examines whether film and digital technology can coexist peacefully.

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Several prominent filmmakers are featured in this documentary. Reeves interviews many well-known movie industry figures to see how they work. This film also explores how film and digital media changed the way movies are made. There are even some surprising answers in Side By Side. But it doesn’t stop there. There’s a lot more to filmmaking than just the technological advances. This film explores the evolution of cinema and the role it plays in today’s movie industry.

The documentary Side By SIDE examines the transition from filmmaking to digital technology. The filmmakers use candid testimonies and a dazzling array of clips to explain how filmmaking works. Keanu Reeves is the producer and the film has a star-studded cast. Side By SIDE is an excellent introduction to the digital age of cinema. You can purchase it on DVD or see it in select theaters.

My Life Directed by Nicolas Winding Refn

The first trailer of My Life directed by Nicolas Winding Refn makes it look like a very simple movie. It follows Liv Corfixen, the wife of the famous director, in Thailand. The film follows her as she explores this exotic country with her husband. However, it is a surprisingly moving story and not only reveals the power of the love triangle, but also provides an insight into what drives Refn’s creativity.

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My Life Directed by Nicolas Winding — a documentary about his life and creative process — is a fascinating look at the inner workings of a movie director. Corfixen, a housewife and occasional actress, makes this film with the aim of shedding light on the filmmaking process and her husband’s personality. Her husband’s creative process is characterized by pauses and evocative compositions, and this makes «My Life Directed by Nicolas Winding Refn» as much a film that is pity-filled as it is a revealing look at a man’s heart.

«My Life Directed by Nicolas Winding Reiffn» — the director behind Only God Forgives — has a strong track record in producing films that are based on true stories. The filmmaker’s egotistical desires come across as petty and self-serving. The film’s failures are put in context through Corfixen’s commentary, which is a valuable insight into how to make the most of his talent.

Corman’s World

A tribute to legendary independent filmmaker Roger Corman by Martin Scorsese, Jack Nicholson, and Ron Howard, Corman’s World is an unforgettable watch. This film celebrates a legendary filmmaker, one who changed the course of independent cinema forever. Jack Nicholson and Robert De Nicholson play the roles of Roger Corman and Robert DeNicholson, respectively. Martin Scorsese is a longtime fan of Roger Corman’s work.

While his best period was in the 1960s and 1970s, he ultimately saw his work become a flop as big studios began making expensive versions. After his films became a commercial flop, he focused on making TV movies and videos, and continued to exploit his employees. His employees adored him for the fun, creative freedom, and unabashed exploitative ways in which he managed to make his films.

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In fact, Corman’s passion for foreign films led him to distribute many of them in the United States. Corman also produced and distributed foreign films, including those from Bergman, Fellini, and Antonioni. While Corman may have been known for making cheap movies, he did have a sense of ambition. This was evident in his distribution of foreign films to American audiences, including Kurosawa’s The Twilight Saga.

Abducted in Plain Sight

Filmmaking is an art form. There are many factors that influence the final product, from the selection of cast to the careful composition of shots in post-production. Documentaries about the process are both informative and entertaining. Many of them take viewers behind the scenes of some of the most famous films in history. Others follow the creation of a single film, such as Nicolas Winding Refn’s Only God Forgives.

Films filmed on film sets can be interesting subjects for a documentary. There are documentaries about the process of editing. One is called «The Beast Within» and explores the making of the first Alien movie. Another is about the discovery of 72 minutes of never-before-seen 16mm footage from Sam Peckinpah’s western «The Wild Bunch.»

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Documentaries about how movies are made have become a popular genre in recent years. For instance, Burden of Dreams documents the life of a rubber baron who wished to drag a whole steamship over a mountain. While the real Fitzcarraldo did not require deconstruction, Herzog’s film is about a real-life dreamer who wanted to haul his entire steamship over a mountain. The documentaries that follow these two different styles of filmmaking have influenced the way we watch movies today.

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Is most nature documentary footage staged? Let’s take a look at some of the common issues. First of all, most animals don’t like to pose for the camera. To make animals act spontaneously, nature filmmakers must employ tricks to entice them to cooperate. However, edited films can create the impression that the animals’ actions were spontaneous and unplanned. But how can we tell if the film is staged?

Storylines in nature documentaries

Unlike most motion pictures, nature documentaries aren’t produced in a studio. Rather, they are created in a field with a team of people. That team of people, called the Foley Artists, creates the sound effects in nature documentaries. Without their expertise, these films would lack the creativity of traditional motion pictures. In contrast, a nature documentary that is produced in a studio would have a script, actors, and a director.

Although most nature programs aren’t perfect encapsulations of the outside world, they are often filled with stories worth watching. Without this element, nature programming would be akin to watching paint dry. Storylines are what engages our minds, so when it comes to nature documentaries, they’re often staged. Some early documentaries feature staged scenes. Some show a mother losing her newborn calf; others feature a battle between brothers.

For instance, the dramatization of a particular animal species in a nature documentary can create the illusion that the animals are real. However, the animals aren’t so keen on having people in the area. While nature documentaries can provide a fascinating look at their natural surroundings, most of the drama comes from the actors and the script. The actors and crew spend hundreds of hours in the field, which allows them to become invisible to the animals.

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The editing of a nature documentary must be highly careful to avoid making the viewers feel bad. For example, a sloth mating scene can be narrated by Attenborough, whose narration is witty and playful. While these are just examples of what happens behind the scenes, they do have a broader impact on the viewer’s enjoyment. But the underlying reasons for editing in a nature documentary are more complicated.

Lack of authenticity

Authenticity has become a controversial topic in the environmental movement, and some viewers have complained about a lack of authenticity in many nature documentaries. Authenticity is a key value that many viewers have come to associate with eco-friendly products and a healthy lifestyle. However, some critics question the value of a particular brand of ecological product, and have called the concept of authenticity «false.»

One problem is that wildlife documentaries have become synonymous with «realistic» portrayals of nature. While this notion is generally correct, some critics have found the genre to be a misrepresentation of nature. Filmmakers have used anthropomorphism to retell the story of an animal, staged interactions, and composite animal characters to create an illusion of reality. Many viewers, however, do not understand this phenomenon.

Authenticity claims have also produced problematic effects in political life. While this appeal to the «truth» of nature may seem problematic, it can also serve desirable ends for social movements. In addition to mobilizing individuals around alternative visions of human potential and solidarity, it can also enable critiques of normative values. Furthermore, authenticity claims can serve as a means to justify culturally undervalued identities and promote resisting false narratives.

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While authenticity may be a subjective measure, it has a definite social value. In today’s culture, authenticity has become the last measure of value, and is an omnipresent ideal. It pervades many fields and is the currency of contemporary culture. In some ways, this means that authenticity is politically explosive, and it is difficult to measure its impact in nature documentaries. But we cannot deny that it is a desirable quality.

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Despite the name, most nature documentaries are not true portrayals of the outside world. If they were, watching them would be like watching paint dry. They are, however, crafted with storytelling in mind. Filmmakers are skilled at manipulating sound and storylines to engage viewers. The process is not a secret. In fact, it’s a long-standing practice in filmmaking, and some nature documentaries have even been staged.

A key difference between nature documentaries and scripted films is the amount of sound. Most nature documentaries feature a variety of sounds, including made up sounds and impossible-to-spot natural ones. A good editor can turn even the most boring scenes into something interesting. But it is important to understand that some documentaries go overboard. In this video essay, we’ll explore some of the most common forms of misdirection in nature documentaries.

One method is the use of CGI to simulate scenes. Using CGI allows filmmakers to craft a coherent narrative and avoid filming the animals in real life. In «Whales,» for example, filmmakers used lookalikes because they didn’t have time or money to follow a 3,000-mile pod of humpback whales. Other producers staged scenes that featured predators, which meant that the prey had little or no chance of survival.

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Another method involves the use of making-of documentaries. While wildlife filmmaking has the same goals as general documentaries, making-of documentaries tells the story of human filmmakers trying to capture nature. This shows the difficulties that filmmakers face when trying to capture nature on film. These films are a great way to expose the challenges involved in capturing nature without humans. But some of the MODs do not tell viewers that their films are staged.

Directorial influence

The influence of the directorial process on nature documentaries is undeniable. Without it, these films would be merely bare bones, lacking much in the way of creativity and emotion. Instead, they enthrall the viewer with the beauty of the natural world in a visually stunning way. But it’s not just the filmmakers who have a directorial influence on nature documentaries. Director Doug Ross is a good example of this.

The National Geographic Channel has redefined nature for millions of viewers. Its directors use techniques that create a completely different world from ours. The footage they shoot is manipulated, often by removing people and objects to create a parallel universe. Its director often carefully selects the most beautiful shots and edits them to remove any traces of people or things that might otherwise interfere with the film’s message. The result is a film that is breathtaking, yet largely un-human.

While many nature documentaries are made for television, a few are made as full-length cinematic presentations. Wildscreen Trust, based in Bristol, UK, presents the Panda Awards for nature documentaries every two years. As most nature documentaries are produced for television, traditional style ‘blue chip’ programs are prohibitively expensive to produce. Often, the broadcaster and the production company fund the project together. The filmmakers then sell the show to a distributor, who has the rights to distribute the film in more countries than the original broadcaster.

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Another example of the directorial influence on nature documentaries is BBC’s Walking With series, which has been aired since 1957. This series used animatronics and computer-generated images to portray prehistoric life. It had three spin-offs narrated by Sir David Attenborough, Nigel Marven presented Chased by Dinosaurs, and Robert Winston narrated Walking with Cavemen.


The ethical issues in nature documentaries are not confined to the natural world. Filmmakers have long relied on the misfortune of other people to make a living. In the case of Born Into Brothels, filmmaker Zana Briski shows the inherent conflict between the filmmaker’s ethical responsibility and the subject’s rights. Briski refuses to maintain a neutral perspective on her subject, a practice that conflicts with the journalistic ethics of objectivity. In the documentary field, the filmmaker-subject relationship is often analogous to that of a dictator and his subjects. While the filmmaker should be aware of the rights of his subjects, he should also protect their own.

While it is possible to excuse the use of non-human actors, it is necessary to protect the well-being of the animals in these films. In addition to protecting animal rights, ensuring animal welfare is an essential component of nature documentaries. Shortcuts may be used to cut corners or to produce high-octane footage. But while most nature documentarians work with the best of intentions, some are guilty of animal abuse.

Natural history documentaries are powerful tools in the battle against wildlife extinction. They also increase public awareness about nature. Because they are often lauded for their cinematography, they have benefited conservation efforts. However, they are also subject to ethical considerations. While filming animals, filmmakers should take the time to evaluate filming techniques and determine whether they negatively impact the environment. This way, audiences can be more informed about wildlife conservation and the issues surrounding it.

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While ethical issues are not new in documentary filmmaking, they have grown in importance in recent years. During the 1990s, U.S. documentary filmmakers were regarded as independent voices in a time of declining public confidence. At the same time, documentary television production was rapidly growing and generating popular, formula-driven shows. In the meantime, the importance of politics and the emergence of commercial opportunities increased tensions in the industry.

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