Documentaries about terrorism are fascinating to watch and explore. No Responders Left Behind, Revealed, and 11M: Terror in Madrid are great choices for a viewing. Here are five more to consider. In this list, we’ll cover some of the most notable ones. You might also be interested in a documentary about the American journalist James Foley, who was murdered by Isis in 2014.
No Responders Left Behind
The film follows John and Jon Feal over the course of several years, as they struggle to receive government benefits and compensation for their work as rescuers. They organize multipronged campaigns and push the government to pass legislation ensuring that the heroes of 9/11 are well-cared for. No Responders Left Behind shines a light on a group of grassroots, grass-root social activists who took on the government and won, simply because it was the right thing to do.
This documentary follows 9/11 social activists as they struggle for benefits and healthcare for the surviving and injured first responders. Featuring interviews with the team behind the film and the 9/11 responders themselves, the documentary is a must-see for any 9/11 survivor. Whether you’re a first responder yourself or just want to learn more about the process of pursuing medical benefits, you’ll be moved by the heartbreaking stories of these brave men and women.
Frontline: America After 9/11
The documentary film America After 9/11 will focus on the United States’ response to the events of September 11, 2001, and the various consequences of that tragedy. The series will show the various ways in which these events have split America two decades later. For those interested in the events surrounding 9/11, the documentary will be particularly important. Here are some of the things to expect from the film:
The first episode of the series explores the 9/11 attacks and the legacy they’ve left. It also highlights the polarizing nature of the country, as well as the fact that the attacks led to deep division. This show follows the political upheavals, including the emergence of conspiracy theories and increasing levels of paranoia. America After 9/11 is produced by the team that brought you «The Dark Side» and «Bush’s War.»
«America After 9/11» is a fascinating documentary that examines the past two decades of American politics and history. The program features heavyweight analysts such as Jane Mayer, Jelani Cobb, Eugene Robinson, and Rajiv Chandrasekaran. The documentary is a powerful and timely deconstruction of the War on Terror. The documentary has garnered critical acclaim for the accuracy of the information it provides.
«Revealed» is one of the best documentaries based on terrorism, and it won the Academy Award for Best Documentary Short. It documents the lives of White Helmets, who are the first responders to emergencies in war-torn Aleppo, Syria. Filmmakers follow these brave volunteers, often under duress, through the city and country. Filmmakers follow them to their training camp in Turkey, where they worry about their loved ones.
«Revealed» follows 9/11 first responders and survivors in a series of interviews. It first aired on National Geographic in late August, and is now available on Hulu. In the documentary «9/11,» actor Jeff Daniels narrates the story of the 12 hours after the attacks. The film includes interviews with survivors and first responders, as well as 200 previously unseen photographs of the day.
11M: Terror in Madrid
A decade after the devastating attack in Madrid, the aftermath still remains a tumultuous legacy. Though the 11M attacks have largely been forgotten by Spanish youth, their acrimony has permeated the country’s public discourse. In particular, the far-right Vox party, which has gained popularity in recent years, is taking aim at LGBT and feminism organizations, as well as Muslims. But despite the negative consequences of the attack, it remains a necessary part of Spanish culture and history.
The film 11M: Terror in Madrid is a timely and powerful look at the aftermath of the 11M attacks in Spain. The film tells the stories of those who suffered and lived through the events in Madrid, from survivors and first responders to scholars and politicians. In addition to first-hand accounts, the documentary also includes analysis from experts, scholars, and policymakers, including Fernando Reinares, a Wilson Center Fellow and Professor at Georgetown University.
While the attack occurred on the day before elections in Spain, many Spaniards blamed ETA, a Basque separatist organization. Its violence and intimidation have claimed the lives of more than 800 people. ETA had been suspected of being behind the attacks just 15 days before the event. It is unclear how much ETA had to do with the attacks, but their actions led to an outpouring of sympathy.
The Hunt for Bin Laden
In a new documentary, director Greg Barker explores the CIA’s involvement in the war on terrorism. Based on the book by Peter Bergen, «Manhunt» chronicles the story of two female analysts who picked up on bin Laden’s financing of terrorism. The film also covers the role of black sites and enhanced interrogation techniques. Despite these flaws, the film is a compelling account of the CIA’s involvement in the terrorist attacks.
The film is the result of unprecedented access to US military and intelligence personnel, and it’s one of the best documentaries based on terrorism ever made. In fact, President Barack Obama cooperated with the documentary team to obtain inside information and footage that would have been impossible otherwise. The documentary shows how President Obama and the government responded to the attack, and what they learned from the operation.
Another documentary that is well worth watching is Turning Point. This five-part docuseries examines the events leading up to and following the 2001 terrorist attacks on New York City, Washington D.C., and the Pentagon. The documentary also features interviews with senior Bush administration officials, as well as members of the Taliban. The film is available on Netflix. It is a very powerful and important watch, and will be a part of your Netflix queue.
Documentaries based on terrorism are a hot topic in today’s society, but few have succeeded quite like 22 July. This film reenacts the events of the Norway attacks of 2011 in its stunning realism. Directed by Paul Greengrass, one of the best directors working on such issues, 22 July looks at the motives of the terrorist and the reaction of the country and survivors. It follows the life of Anders Behring Breivik, a right-wing extremist who parked his van outside the prime minister’s office and murdered 69 people.
The film is a realistic recreation of the attacks that took place in Norway in 2011. The director, Paul Greengrass, made the film in the aftermath of the tragedy. Anders Breivik, a right-wing extremist, had previously vowed to kill as many people as possible. The film begins with a shocking sequence involving Anders’ hunting trip. Although the sequence is brief, it’s gruesome and emotionally affecting.
The film’s strength comes from Greengrass’s unflinching depiction of the assassination and subsequent trial of the boy who committed the terrorist acts. It reminds us of the value of each and every life lost in a terrorist act. However, its first hour is intense and memorable. The second hour, on the other hand, is problematic as it focuses on Beivik’s trial.
A documentary may be surreal if its subject matters and style are Surrealist. This article explores the subject matter and style of a surrealist film. You will also discover some tips for creating a surrealist documentary. We’ll explore the importance of authenticity in documentary filmmaking, and how you can make a documentary that is Surrealistic. Then, you’ll be ready to make your own documentary!
When it comes to the Surrealist movement, the best examples are those that explore the idea of time travel and how dreams can allow us to access different worlds. In L’Invention du Monde, for example, filmmakers Jean-Louis Bedouin and Michel Zimbacca combine images from museums with music to illustrate how man alters the objects and symbols he represents. Their goal was to show how symbols express the mind’s interrogations.
Despite sharing the oneiric passivity and powerlessness of many Surrealist films, Meshes of the Afternoon is unique in its circular form and choreographic quality. Deren was deeply interested in dance, and this is evident in the film’s soundtrack. The soundtrack was composed by Teiji Ito, who became Deren’s third husband in 1960. He also produced the film’s title. Both films explore the life and work of an artist obsessed with his art and the world around him.
The first major documentary about surrealism is Land without Bread, directed by Luis Bunuel in 1933. This was the first English-language exploration of the concept, and it also ushered in the tradition of ethnographic film. By taking us on this journey into the unconscious, the film explores the nature of reality and the role it plays in the world. Surrealism is not simply a reaction to a traumatic event or an unpleasant memory — it is an expression of a deeply rooted part of our human existence, and a reflection of our psyche.
There are several other important Surrealist works in film history. For example, the infamous Un Chien Andalou transforms the everyday objects, people, and scenes into nightmarish images. Its protagonist compares his relationship with his lover to an assault. This film depicts the destructive power of unfulfilled desire. While the film’s theme is sexual desire, the Surrealists’ work often takes on an eerie and disturbing quality.
Another great example of a surrealist documentary is Hunt-Ehrlich’s Spit on the Broom, an eleven-minute film that revisits the history of the United Order of Tents, a group of Black women during Reconstruction. Several surrealist elements are prominent in this film, including a disembodied arm holding a hand mirror. It’s a remarkable piece of work. So, why not take a look?
Surrealist film subject matter
The subject matter of a Surrealist documentary is remarkably diverse. The films evoke a surreal world in which everyday objects and people become bizarre, nightmarish images. For example, in Un Chien Andalou, the filmmaker equates the process of making a film with an assault. In the film, a poet is raped by a masked man and then forced to watch him perform sex with a different man. The ensuing chaos and confusion are a constant reminder of the power of unfulfilled desire.
Surrealist documentary subject matter often explores extreme emotions, such as lust and love. These films explore the darker corners of the human psyche. Through the juxtaposition of discordant images, they attack society’s symbols. The resulting confusion and dislocation of reality leads to the characters and viewers to new realizations. Whether this is real or imagined, these films challenge the viewer’s perception of reality. And this is what makes Surrealist documentary subject matter so compelling.
While surrealist documentary subject matter can be frightening, it can also be therapeutic. It can help people process trauma. Afro Surrealism was coined in 2009 by New Jersey Poet Laureate Amiri Baraka. It explores the contemporary experiences of African Americans. In the movie, the benefactors of racism stew in ignorance, while direct attacks on racism are met with an unceremonious demise. This is because the media machine defends itself by destroying anything perceived as a threat to its existence.
Other early Surrealist films were made in Hollywood. For example, Alfred Hitchcock’s Spellbound (1943) featured a Salvador Dali set. Otto Preminger’s 1944 film Laura featured Dana Andrews as a detective, and the second half of the film may have been a detective’s dream. In spite of this, both movies had their own particular surrealist subject matter. They share many of the same elements in their compositions.
Films featuring ancient myths were also popular among the Surrealists. Surrealists tended to emphasize the magical elements of myths and reinterpret the everyday world. The Orphic myth, Meshes of the Afternoon, and Last Year at Mariendbad are all common examples of films featuring surrealist themes. These films often explore the world of the mind and the role that it plays in human existence.
Surrealist film style
Films filmed in the Surrealist style often feature bizarre imagery and a dream-like rationale. As the main character, Joel Barish, loses his memory of his beloved Clementine and experiences the uncanny landscape of his mind, the Surrealist style is perfect for this type of movie. Surrealist documentaries are often glitched with cinematography that conveys an almost grotesque darkness.
During the early 20th century, the first Surrealist film was made in France. Surrealist artists did not want to create a new style of filmmaking, but rather to create an artistic space for rejecting the oppression of modern society. This new cinematic style allowed filmmakers to explore their own inner world and find freedom in the process of making a film. Surrealist films often use trippy imagery or dreamlike sequences to explore the nature of reality.
Another example of a Surrealist film is the Spit on the Broom by filmmaker Anne Hunt-Ehrlich. This 11-minute work revisits the history of the United Order of Tents, a group of Black women during Reconstruction. The Surrealist elements are particularly evident in this work, as it shows brightly colored cakes disintegrating over multiple shots. The surrealist style also allows filmmakers to present the disembodied arm holding a hand mirror, resulting in a surrealist aesthetic.
A more recent example of the Surrealist style is found in Bodomo’s short, currently being turned into a feature film. The filmmaker has a unique way of portraying African life and the human suffering that is inherent in the culture. The style of the film itself may vary, but the underlying theme is that of the inexplicable. While surrealist films tend to be grotesque, they are also akin to a haunting film, a combination of over-the-top absurdity and a raw expression of blood.
The Surrealist documentary style was born out of the French surrealist movement and subsequently spread to the entire world. During the 1940s, it became so popular that famous filmmakers sought Dali for help in making their movies. In fact, Dali even sought out famous filmmakers to direct his films. There are many more examples of Surrealist films filmed in this style and more. So, what are you waiting for?
Creating a surrealist documentary
There are many different ways to create a surrealist documentary. For example, you can include readings from literary works. The juxtaposition of imagery and images is an essential part of surrealism. In his famous book, «The Surrealists, 1850», Andre Breton summarized the technique as «a mix of satire and general disruption.» The Black Surrealists leaned toward generalized disruption, while the surrealists were often black.
The surrealist approach to documentary filmmaking has its roots in the work of C.P. Escher. He blended reality and fiction in his film Haxan, which was the prototype for a surrealist documentary. Surrealism uses a realism effect to draw the viewer into the film’s world and disrupts the viewer’s assumptions about the world. This approach is a unique way to tell a story.
Surrealist films often feature dream sequences. Without these sequences, surreal visions become subordinate and inauthentic. Films by filmmakers such as Bunuel and Man Ray attempted to blur the lines between dream and reality. The filmmaker David Lynch raised the bar even further by creating the surreal film Eraserhead in 1976, featuring a dream within a dream and a pencil eraser as the head of a character. Ultimately, surrealist films are a reflection of our modern society.
In addition to the films mentioned above, you can also consider the influence of surrealism on the filmmaker’s vision. French surrealists such as Luc de Heusch, Jean-Louis Bedouin, and Henri Storck used surreal techniques to explore social injustice and personal trauma. Although many of these films have disappeared from the public eye, surrealism has inspired several artists in the modern era, such as Chris Marker and Alain Resnais.
Surrealist films often employ sudden changes from dream worlds to real-world settings, while narrative films usually feature gradual development of the characters. Rene Clair, for instance, turned a female dancer into a man in his 1924 short film «Entr’acte.» In 1943, Maya Deren transformed a key into a knife, and Fellini jumped from one reality to another without warning in his acclaimed 1963 feature film «8 1/2».